![]() ![]() Haydn was so exhausted by the performance that he had to leave at the interval. On his arrival, he was carried on an armchair and met Ludwig Van Beethoven and Maestro Antonio Salieri, who conducted the night's proceedings. Rather nicely, in 1808 (the year before Haydn's death), a performance of The Creation was organised in honour of its composer. Haydn was trying to evoke the primordial confusion of the universe before the earth was created (no mean feat), so he wrote musical lines that didn't make harmonic sense - not the done thing. It's mostly a vocal work based, unsurprisingly, on the story of the world's creation - but the orchestral opening is about as challengingly weird as the classical period gets. Let's take a closer look at some of the highlights.Ī lifetime of gently testing the boundaries of classical music led Haydn to really push the boat out with The Creation in 1798. The new prince lives mainly in Vienna, and only requires one mass composition a year for the name-day of his wife. Vienna again: Haydn is rehired as Kapellmeister by the next Esterhazy prince, Nicolaus II. 93-104) and his last opera, Orfeo ed Euridice. It might be a bit of a stretch to call Haydn a late bloomer considering the huge amount of works he composed all throughout his life, but there's something remarkable about the consistency and sheer volume of great works he produced in his autumn years. He composes a wide variety of music for England, including his last 12 symphonies (nos. But what might surprise you is that those particular works were all composed in the last years of his life, before he died in 1809. ![]() You think of his great works, the London Symphonies, The Creation, and the Trumpet Concerto. Returning from the second of those trips in 1795, he brought with him a libretto telling the Judeo-Christian Creation story. In the 1790s Haydn made two extended concert tours to London. It was inspired by Handel’s Messiah and Israel in Egypt, which Haydn had heard while visiting England. Think of Haydn and you think of his impeccable musical craft, for some the defining sound of the classical period. The Creation, German Die Schpfung, oratorio by Austrian composer Joseph Haydn dating from April 1798. But did he wind down in his later years? Not a chance… ![]() Joseph Haydn, the undeniable father of the classical period, lived to the ripe old age of 77. ![]()
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